Lotus Pendant
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Women's Hair Jewelry and Their Social Connotations in Ancient China by Krista
Hair jewelry such as hair pins, hair clasps and crowns were everyday embellishments of women in old China. During the Ming (1368-1644) and Qing Dynasties (1644-1911), women's hair ornaments expressed traditional Chinese thought and culture in exquisite, sophisticated techniques.
The patterns, craftsmanship, materials and number of hair accessories a woman wore signified her social rank. Feudal etiquette defined the style of hair ornaments women wore on formal occasions, such as weddings or court ceremonies.
The generic term for hairpins and hair clasps is chignon(in Chinese pronunciation ji). A one bar chignon keeps coiled hair in place, and a two bar chignon is a feature of the hairstyle itself. Before the Qing Dynasty (1644-1911) both Chinese men and women wore their hair in a coiled bun with a chignon to keep it in place.
The fashionable designs and diverse patterns of these jewelry items made them a favorite ornament with women of all social strata.
Fashioned in materials that included jade, gold, silver, ivory, bronze and carved wood, the style, materials and craftsmanship of these hair accessories reflected both social status and Chinese ethnic culture.
Hair ornaments worn by women of wealth also took the form of gold flowers encrusted with jewels depicting flowers or animals.
The elaborate "buyao" hairpin was an exquisite hair ornament denoting noble status, which was often be encrusted with jewels and featuring carved designs, the main feature of a "buyao" was its pendants that flatteringly framed the wearer's face and "danced" as she moved, hence the name buyao, which literally means "shake as you go". This ornament was generally made of of gold in the shape of a phoenix or dragon and adorned with pearls and jade.
Among popular decorative patterns used on women's hair ornaments in old China were auspicious birds and beasts, such as the dragon, phoenix, crane, deer and the 12 animals of the Chinese "zodiac." The deer was considered a propitious animal because its pronunciation in Chinese is the same as that for six, which implies success. Hairpins in the design of a mandarin duck denoted married bliss. Patterns of flowers and fruit-bearing trees featured the peony, lotus flower, plum, guava and asphodel. The five petals on a plum represent blessings, high-salary, longevity, luck and wealth.
Designs of women's hair ornament in old China always depicts auspicious objects, among them there are musical instruments, chess pieces, calligraphic characters, and the "four treasures in a scholar's studio",which comprises the calligraphy brush, ink stick, ink slab and paper.
But to the women in ancient China the chignon was far more than just a hair ornament. The chignon ceremony, which bestowed a hairpin upon a young woman when she reached the age of 15, was a rite of passage signifying that she had reached marriageable age.
A hairpin also functioned as a love token. When Chinese lovers of ancient times were forced to part they would often split a hairpin, both keeping a half with them at all times until they were reunited.
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I'm a Chinese girl, I love all beautiful, fashion and artistic things, and I'd like to introduce and display an excellent selection of China fine art, gifts, traditional Chinese handicrafts, jewelry, toys, home decorations and fashion accessories to you, also give you great suggestions about gift ideas and introduce you the latest fashion trends in China.